![]() ![]() The initiators of the Swiss Grid Style were of the belief that the visual appearance of the work is not as important as the integrity of its philosophical tenets whereby Using sans-serif typography set flush left, ragged right - The movement believed sans-serif typography expressed the spirit of a progressive age and that mathematical grids were the most legible and harmonious means for structuring information.Presenting visual and textual information in a clear and factual manner, using objective photography and illustration, and ensuring that it filters any propaganda and the exaggerated claims of commercial advertising.Asymmetrically organizing the design elements on a mathematically-constructed grid to create Visual unity in a composition.In short, the visual characteristics of the International Typographic Style include: They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. Characterized by a cold, emotionally sterile grid style they used structured layout, and unjustified type, that became very influential in the mid twentieth century and influenced a vast audience. After the second world war the Swiss Grid Style, also known as the International Typographic Style was developed by Swiss designers, such as Armin Hofmann, Josef Müller Brockmann, Max Bill, Richard P Lohse, Hans Neuberg, and Carlo Vivarelli who began to experiment with typography and photo-montage.
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